Art in the Making by Jenny Armitage » techniques

Reeds at Sunset

Jenny Armitage — Thu, 14 Jan 2010 00:27:07 +0000

Reeds at Sunset (11 x 15) $75.00

This is the Willamette again, but it could really be anywhere. I was struck by the way the reeds look like they are growing out of a sunset.

Like the Broken Dock I painted a couple days ago, I began this painting by masking everything except the water. After the mask on the reeds dried, I painting the sky’s refection on the still water wet into wet beginning with an overall wash of very diluted burnt sienna. When the shine left the paper, I added various mixes of quinacridone deep red rose and new gamgee (yellow). I used cobalt blue and burnt sienna to ad the darker clouds and phthalo blue for the water.

Once the sky had dried, I removed the mask and painted the reeds in new gamgee, colalt blue, phthalo blue and burnt sienna.

Or purchase a print from Fine Art America.com.

A Paint Box Full of Gray

Jenny Armitage — Sat, 23 May 2009 01:03:04 +0000

There are various premixed grays and browns on the market, but I don’t use them. Nature doesn’t come in neutral gray, it comes in a infinite variety of grays and browns. The best neutrals for any painting are always mixed from the palette. Shadows look more real if mixed from the colors in the wall or ground on which it falls.

And grays are so easy to mix. To get gray, mix any color with it’s compliment: yellow and purple; blue and orange; red and green. Add more of the warm half of the duo and you get a warm gray or brown. Add more of the cool compliment and you get cool gray.

A Few Mixed Grays

Gaining Texture But Losing Transparency

Jenny Armitage — Fri, 22 May 2009 16:45:23 +0000

Sisters on the Rocks II (9 x 12) $50

This painting is almost all rock. To get the gritty texture I used naturally sedimentary pigments mainly burnt sienna and French ultramarine. Sedimentary pigments break into fine pieces and settle into the indents of the paper. I used granulation medium to heighten this effect.

But while granulation medium increases texture, it decreases transparency. Very little of this painting still looks like watercolor to me. Only the climbing girls, the sky and the background cliff look transparent. I liked this effect on the rocks in Sisters on the Rocks I because it exaggerated the transparent look of the scenery around the rocks. And in this painting is does heighten the transparency of the the girls. But, in future I don’t this I’ll use granulation medium for quite so much of a painting’s total area. It makes a better spice than a main course.

Stay tuned, I’m not finished with Sisters on the Rocks yet.