Posts tagged ·

streetscape

·...

Mexican Cafe Take Two

no comments
Painting of a Shady Street By Jenny Armitage

The Shady Side of the Street (watercolor 9 x 13) $200

I redid my Mexican Cafe from scratch and I like it much better.  I used the same reference photo and the same palette.   The real change is the composition.   This time the shadow leads the eye right into the diners.  And I eliminated much of the detail in the building to keep the eye there.

I took it to my critique group yesterday and it got rave reviews.  Someone pointed out that the  composition works so well that it even looks good upside down as an abstract painting.  Now, if only I could figure out how to do this every time.

An Abstract?

This painting is currently for sale on line at my Etsy shop. Or purchase a print from my print gallery at Fine Art America. (Fine Art America offers many prints of fine watercolor paintings).

SociBook del.icio.us Digg Facebook Google Yahoo Buzz StumbleUpon

The Lamp at 10th and Washington or The Carpet Seller

6 comments
Citcyscape of Downtown Portland, by Jenny Armitage

10th and Washington (watercolor 11 x 15) $200

Last month, my husband and I were out and about in downtown Portland, after having spent the early afternoon at Powell’s Bookstore. Stephen patiently followed me around the hot pavement as I photographed street after street. The sun was brilliant after a cloudy spring, and the light on the streets and buildings almost blinding.

Here’s my first attempt at the heat and glow of that afternoon. I began by giving the paper of light wash of quinacridone gold. After the wash dried I very carefully sketched out the scene. Then I washed the sky with cobalt blue and the pavement with a mixture of quinacridone deep red rose and gold. Next, I masked a very few small light details.

With the paper ready to begin painting in earnest I began with the shadows and the lamp. The shadows are phthalo blue and deep red rose. The lamp is the same plus some burnt sienna. I painted the man in the window next and then glazed over him and the window multiple times. Then I loosely dropped in the tree and the background foliage at the end of the street. After that I worked up and down the buildings washing in the light and building up the darks.

In the end I think the shaded part of the building on the right takes up too much attention, but I’m not sure. I’ll try something similar again soon.


Or purchase a print here.

SociBook del.icio.us Digg Facebook Google Yahoo Buzz StumbleUpon