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	<title>Art in the Making by Jenny Armitage &#187; seacapes</title>
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	<description>A Painting Blog</description>
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		<title>In Progress</title>
		<link>http://dancingfeatherstudio.com/blog/2009/06/15/in-progress/</link>
		<comments>http://dancingfeatherstudio.com/blog/2009/06/15/in-progress/#comments</comments>
		<pubDate>Tue, 16 Jun 2009 02:44:42 +0000</pubDate>
		<dc:creator>Jenny Armitage</dc:creator>
				<category><![CDATA[seascapes]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[unfinished]]></category>
		<category><![CDATA[rocks]]></category>
		<category><![CDATA[seacapes]]></category>
		<category><![CDATA[Seal Rock Beach]]></category>

		<guid isPermaLink="false">http://dancingfeatherstudio.com/blog/?p=653</guid>
		<description><![CDATA[The Oregon coast is littered with spiny gray-black volcanic rocks. I love them, but it&#8217;s hard to get watercolor that dark without losing the vibrancy that drew me to the paint the first place. Last time I attempted this subject I painted on canvas because watercolor can be laid on canvas much more thickly than [...]]]></description>
			<content:encoded><![CDATA[<p>The Oregon coast is littered with spiny gray-black volcanic rocks.  I love them, but it&#8217;s hard to get watercolor that dark without losing the vibrancy that drew me to the paint the first place.  Last time I attempted this subject I painted on canvas because watercolor can be laid on canvas much more thickly than on paper.  There are things I like about this approach to the problem.</p>
<div id="attachment_393" class="wp-caption alignnone" style="width: 410px"><a href="http://dancingfeatherstudio.com/blog/wp-content/uploads/2009/05/high-tide-at-seal-rock-small.jpg"><img src="http://dancingfeatherstudio.com/blog/wp-content/uploads/2009/05/high-tide-at-seal-rock-small.jpg" alt="High Tide and Seal Rock (12 x 16) $200" title="high-tide-at-seal-rock-small" width="400" height="536" class="size-medium wp-image-393" /></a><p class="wp-caption-text">High Tide and Seal Rock (12 x 16) $200</p></div>
<p>As you can see above, canvas does allow for very dark values.  But there are problems with this approach.  For one thing, watercolor lifts extremely easily from canvas and so I lost some of my ability to layer washes effectively. Also wipe-out techniques tend to return the canvas to white rather than merely lightening the paint. </p>
<p>This is the beginning of my experiment with hot-pressed paper.  </p>
<div id="attachment_651" class="wp-caption alignnone" style="width: 583px"><a href="http://dancingfeatherstudio.com/blog/wp-content/uploads/2009/06/elephant-rock-in-progress.jpg"><img src="http://dancingfeatherstudio.com/blog/wp-content/uploads/2009/06/elephant-rock-in-progress.jpg" alt="Elephant Rock (14 x 20) In Progress" title="elephant-rock-in-progress" width="573" height="400" class="size-medium wp-image-651" /></a><p class="wp-caption-text">Elephant Rock (14 x 20) In Progress</p></div>
<p>Like canvas, hot-pressed paper will take higher value darks than my favorite cold-pressed paper.  The reason is much the same&#8211; more paint sits on the slick surface of hot-pressed paper.  Paint has a tendency to lift from the surface of hot-pressed paper too, but not as easily as from canvas.  </p>
<p>As you can see hot-pressed paper, does allow me to layer translucent paint effectively provided I make sure each layer is completely dry before I add the next one.  All of the lighter colors are in now and I&#8217;m working on the darks.  Things are just beginning to look three dimensional.</p>
<p>I&#8217;m going to prop this painting up on the dining room buffet so I can ponder it during dinner.  There are some compositional issues I need to resolve before I go further. For on thing I don&#8217;t like the rock pile dead center in the painting.  I need to move it to one side of the other.  I may lighten the sand and grass up to echo the sea and sky too.</p>
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