This is a second and slightly larger version of Reeds Between Sets which sold before I could get it posted. Like most of the rest of my instrument series it will be on display at Art In the Valley beginning November 1st.
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A brighter version of Bouquet of Reeds. Painted a little larger–this time on paper.
Prints available through my FAA shop.
This is another painting competed at the Oregon State Fair. I began it on the first day of the fair intending it to include a lot of shadow in the design much like Jazz Buddies and The Color of Music. But the shadows actually competed with the instruments no matter how much I tried to knock them back by greying them down. On the last night of the fair I got bold and simply did away with the shadows altogether substituting an almost black back ground. This changed the feeling of the painting entirely.
The result is not subtle, but it certain grabs your attention. And while it’s not what I was aiming for, I like it.
This painting is currently available through Art in the Valley, Corvallis, Oregon.
Prints are available through my shop at Fineartamerica.com. See more jazzy art here: jazz art.
This is another little painting, completed during my Southwestern vacation. I started in a little Victorian Hotel in Durango and completed it poolside in Cortez.
Finished with clear acrylic and mounted on a black cradle frame, this painting is ready to hang. Available through my Etsy shop. Or purchase a print through Fine Art America.com.
This is a larger and more colorful version of “Brass, Winds, and Shadows.” I liked the first version, but I like this one better. Besides enlarging the painting and bumping up the color, I expanded the field of view to include more of the flute. I also made the shadows more transparent. I think all of the changes are improvements.
Prints available through my shop at Fine Art America.
Painted in Florida, from a moody shadow shot. Once more I’m having fun with the keys.
Like the other Florida paintings, this one is a little smaller, only 8 x 10. It is painted on aquabord and finished with a clear coat of acrylic, and mounted on a black cradle frame. Ready to hang. Original available in November at Art in the Valley, Corvallis Oregon. Or purchase a print through my Shop at Fine Art America.
While painting this instrument series, I have been fascinated by the keys. So this time that’s just about all I painted. I like it so well, that I’ll probably do a few more, just keys paintings.
Another painting on clay board, this painting is finished with a clear coat of acrylic, and mounted on a black wooden cradle.
Available through my Etsy Shop. Or purchase a print through my Shop at Fine Art America. See more flute artwork here: flute art.
The is another painting from my photo session at Weathers Music, but I painted it on the patio of a beach house just outside Sarasota on the Gulf of Mexico. Painting under an umbrella with the ocean just yards away–what could be finer? We spent the last week there getting our fill of salt and sun. After the long wet cold spring here in Oregon the sun sure felt fine. But my is it hot and humid there. I spent the afternoons painting in the cool. I have five new paintings to post over the next few days.
This is the first one I did. I really like the greeny black of the clarinet and piccolo in contrast to the greeny yellow of the pear. The pear and clarinet bell shapes echo each other nicely too.
Another painting on clay board, the painting is finished with a clear coat of acrylic and mounted on a black wooden cradle. Original available through Art in the Valley, Corvallis Oregon. Or purchase a print through my Shop at Fine Art America.
This is my first painting of my brand new rental toy, the saxophone. Actually, my sax is far from new, but for my purposes, it’s just fine. I’ve paired it with what is turning out to be most painted instrument, the clarinet. The clarinet itself is hard to compose with because it’s so long and skinny. It isn’t metal, it’s lacquered wood; so it does have the shine that drew me to painting instruments in the first place. But it’s black body is the perfect foil for brass. So here it is as co-star to the sax.
The painting’s name is thanks to my best friend and critique, who also lent me her daughter’s clarinet. So I owe a double thanks to Terrie for this one.
Painted on cradled aquabord. May be framed or hung as is.
Original available at Art in the Valley, Corvallis Oregon. Prints available though FineArtAmerica.com.

Reeds at Sunset (11 x 15) $75.00
This is the Willamette again, but it could really be anywhere. I was struck by the way the reeds look like they are growing out of a sunset.
Like the Broken Dock I painted a couple days ago, I began this painting by masking everything except the water. After the mask on the reeds dried, I painting the sky’s refection on the still water wet into wet beginning with an overall wash of very diluted burnt sienna. When the shine left the paper, I added various mixes of quinacridone deep red rose and new gamgee (yellow). I used cobalt blue and burnt sienna to ad the darker clouds and phthalo blue for the water.
Once the sky had dried, I removed the mask and painted the reeds in new gamgee, colalt blue, phthalo blue and burnt sienna.
Or purchase a print from Fine Art America.com.

















