Short Story II (11 x 11 watercolor) $225.00

Same song,

Second verse,

Should get better,

But it’s gonna get . . . .

Actually I like the second verse better.  The dark background gives Short Story II a punch that Short Story I lacked.  And I admit that painting the pine cone magnified by the paperweight was just plain fun.

The palette for Short Story II is the same as Short Story I.  I used more transparent glazes in building up the forms.  And I mixed the paint on the paper rather than the palette.

The deep background began as a burgundy mixture of burnt sienna and quinacridarone deep red rose, but the didn’t provide the depth I was aiming for.  So I followed it with several dark  washes of phthalo blue.  Afterwords I had to correct the glass reflections to match the background.

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Short Story (10 x 14 watercolor) $175.00

It’s Spring here and my first daffodils are blooming. I’ve painted them here together with some of my favorite glass from the sun room. The box is an old cigar box I bought on Ebay.   I like the look and smell of cedar cigar boxes though I neither smoke nor like the smell of smoking.

This is the first traditional still life I’ve ever done. Placing and lighting the objects increased my respect for the art of still life. And I’m tempted to play with glass and flowers again soon.

I enjoyed painting the contrasts in texture between the wood, glass, and flowers. But if I try this again, I’d like to do something with a more dynamic composition.

The techniques I used were very straight forward. I reserved the highlights in the glass and then painted wet on dry, from light to dark. I used three blues, cobalt, phthalo, and cerulean. I used two reds burnt sienna and quinacridone deep red rose. I also used three yellows, hansa light which has a greenish cast, cadmium yellow, cadmium orange. I also used burnt umber to help darken the cigar box.

Or purchase a print from Fine Art America.com.