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masking

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Two Paintings of Reedy River Falls, Greenville, South Carolina

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These are thee Upper Reedy River Falls, in Falls Park downtown, Greenville, South Carolina.  The falls are actually about two or three times wider than my paintings imply, but I wanted to capture the immediacy of the girls looking up at the falls.

My first attempt show the full height of the falls.  like the sense of scale and the horizontal lines of the upper rocks, but I thought it lacked visual punch.  After looking at it a while, I decided that part of the problem was that the amount of area covered by  medium value rock and the amount of high key fall are almost equal.  Also the falls are almost dead center in the painting.

For my second attempt I came in closer and worked darker for greater contrast with the white water.  I also reversed the image right to left, thereby clarifying the entrance to the painting.  Finally I moved the falls to one side of the painting.

Upper Reedy River Falls, Falls Park, Greenville, SC

Ring Side Seats II (watercolor 14 x 20) $400

To create the falls themselves I used a lot of liquid mask.  I began flipping tiny drops of mask onto the falls.  Then I washed the area with highly diluted phthalo blue.  When I removed the mask the area looked white, but the even whiter dots gave it some sparkle.  Then I masked the white areas of the upper falls and began painting in the water and the rock behind it.  I used burnt umber, burnt siena, raw sienna, cerulean blue, cobalt blue, and phthalo blue.  I let the blues predominate.  I worked much darker on Ring Side Seats II than I did on Ring Side Seats I.

After removing the mask, I continued working softening edges and adding paler washes.

I used the same palette for the rocks but emphasizing burnt sienna and raw sienna.

Reedy River Falls, Greenville, South Carolina

Ring Side Seats I (watercolor 16 x 21) $400

Ring Side Seats


 

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Surf Dance

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Surf Dance (5 x 7) $30.00

Surf Dance (5 x 7) $30.00

This is another little painting of the two brothers playing in the surf. They had found a log about half again as tall as either of them and were busy trying to return it to the sea. But as the tide was coming in, the sea kept giving it back. Here they have just finished taking it far so into the surf that they thought they had gotten rid of it. The victory dance was short lived. It came back. I don’t think they really minded though. They were having fun.

I used the same palette and method as the last little painting. First I masked the white foam and the boys. Then I painted the water and sand, beginning wet into wet and adding the details wet on dry. I painted the sand in with yellow ocher and burnt sienna right up to the first foam. I laid the thin layer of water reflecting the sky with blue cerulean right over the sand. I added the reflections last. When all was dry I removed the mask and painted in the boys and softened the foam.

Removable liquid masking is the easiest way to preserve small areas of white paper. I use Shiva Liquid Masque, but Winsor & Newton make a perfectly good mask too. The advantage to Shiva for me is that it’s slightly pink, making it easier for me to see where I’ve masked. Winsor & Newton is slightly yellow which I find harder to see against white paper.

Mask should be applied to bone dry paper. Use a synthetic brush well rubbed in hand soap to apply the mask. Resoap the brush regularly and wash it with soap afterwords. Don’t use water that has been used for masking when painting. Don’t remove the mask until the paint is bone dry. A rubber cement pick-up works best.

This painting is currently available on-line through my Etsy shop.

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Memorial Day Waterworks

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Memorial Day Waterworks (17 x 19) $275

Memorial Day Waterworks (17 x 19) $275

Yes, this is yet another painting of the Town Center Park water feature. This one is rather more ambitious than the previous two. I backed up to take in the feel of the whole stream bed. And I included not one but seven figures.

As you can see from the reference photo, I took some liberties with the geometry of stream bed. I narrowed the center wall of concrete and removed a trash can among other less major changes. I also slide the boys around a little so that they wouldn’t be directly above each other. Finally I eliminated the blond boy half hidden on the left hand side.

Refrence Photo

Refrence Photo

After the Mask Came Off

After the Mask Came Off

Once I was satisfied with the sketch I masked the boys and concentrated on the water feature itself. Masking an object against water or sky makes it easier to get the water to flow evenly to the edge of the foreground object.

Masking the boys also served as a final composition check as it made them stand out as the centers of interest. People always attract the eye and I expected the boys to so doubly because their skin provides the only warm tones in an otherwise cool picture and because their clothing and toys are the brightest colors in the painting. I liked the way the placement of the boys echoes the “S” curve of the concrete wall. Now that the painting is finished, I still like it.

But I’m probably still not done with this water feature. I like this subject and I’m learning the value of working in a series.

Pigment notes: The background is all burn sienna, phthalo blue and cobalt blue. To do the boys I added yellow ocher, cadmium yellow, and quinacridone deep red rose.


Or purchase a print at Fine Art America.com.

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