Back to the Deepwood Estate but with a very different feel. This is the west or backside of the house looking up at the turret and the tallest roof peak. The afternoon sun brought the architectural details into graphic relief. I decided to play with the posterized nature of the light by pouring this painting.
Pouring watercolors is much like batik dyeing. First I mask all the white areas of the painting. Then I literally pour cups of paint across the paper. After the first pour dries, I mask all the pastels and pour darker paint. Then I mask the medium values and pour again with yet darker paint. Once the painting is dry, I lift the mask and add the darkest values and the details.
In this case I used phthalo blue, deep red rose, and new gamgee for the first pout. I tried to keep the yellow on the cupola. In later pours I used only the deep red rose and two blues Phthalo and French ultramarine. I saved the french ultramarine for the final pour.
I masked the sky after the first pour and overlaid it with cobalt blue when the mask was removed. The details are all heavy purple and magenta mixtures of phthalo blue and deep red rose.
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