Posts tagged ·

cityscape

·...

Making the Trash Cans Beautiful

no comments
216, Painting of a Small Town Alley, by Jenny Armitage

216 (9.5 x 13.5 watercolor) $175

This is the same alley I painted for “Alley Shortcut,” but on the opposite side of the street facing the other way.  Once again I’m looking into the sun as it peeks out from the clouds.  This time it’s afternoon sun and it strikes the alley at an angle so the back lit effect is not quite so pronounced.

I must admit I like painting alleys.  There’s something sublime about making trash cans beautiful.

Painted in multiple transparent washes.  Most of the painting has at least five or six transparent layers of paint.  The palette is brown madder, quinacridone rose, cobalt blue, phthalo blue, cerulean blue, and raw sienna.


Or purchase a print from Fine Art America.com.

SociBook del.icio.us Digg Facebook Google Yahoo Buzz StumbleUpon

Corvallis Alley

no comments

Alley Shortcut (10 x 14 watercolor) $200

I drove into Corvallis a little early a couple mornings ago and spent the extra  time before opening the gallery taking pictures of downtown.  The sun was out, but it had just recently rained and the streets were still wet.  The light was gorgeous.   This little alley is just a couple blocks from Art in the Valley.  The reflected light running up the damp pavement caught my eye.

I used a limited palate, but not as limited as my last cityscape: cobalt blue, phthalo blue, raw sienna and quinacridone brown madder. The vast bulk of the painting is brown madder and phthalo blue.

This painting is currently available through Art in the Valley, Corvallis, Oregon.  Or purchase a print from Fine Art America.

SociBook del.icio.us Digg Facebook Google Yahoo Buzz StumbleUpon

Downtown Portland

no comments
Cityscape by Jenny Armitage

Afternoon on SW 11th Street (watercolor 10 x 14) $200

This is downtown Portland about a block south of Burnside.    The little building peaking out on the left is our Portland mecca, Powell’s Books.  But it’s the bright old fashioned brick building lit up by the sun in contrast with the glass and steel building behind them that caught my eye.

I simplified the buildings considerably, taking out much brick ornamentation.  I eliminated a few street lights and lamps too.  I also moved the shadow forward a little to encompass all of the foreground cars.  Before I made the change, the closest left-hand car stole the show. The pedestrian was on the  on the scene, but not where I’ve placed him.  My applogies to the Joyce Hotel whose name I removed from their canopy since it drew too much attention to itself.

The palate is simple, cobalt blue, phthalo blue, quinacridone brown madder, and raw sienna.

Or purchase a print here.
SociBook del.icio.us Digg Facebook Google Yahoo Buzz StumbleUpon

Mexican Cafe Take Two

no comments
Painting of a Shady Street By Jenny Armitage

The Shady Side of the Street (watercolor 9 x 13) $200

I redid my Mexican Cafe from scratch and I like it much better.  I used the same reference photo and the same palette.   The real change is the composition.   This time the shadow leads the eye right into the diners.  And I eliminated much of the detail in the building to keep the eye there.

I took it to my critique group yesterday and it got rave reviews.  Someone pointed out that the  composition works so well that it even looks good upside down as an abstract painting.  Now, if only I could figure out how to do this every time.

An Abstract?

This painting is currently for sale on line at my Etsy shop. Or purchase a print from my print gallery at Fine Art America. (Fine Art America offers many prints of fine watercolor paintings).

SociBook del.icio.us Digg Facebook Google Yahoo Buzz StumbleUpon

The Lamp at 10th and Washington or The Carpet Seller

6 comments
Citcyscape of Downtown Portland, by Jenny Armitage

10th and Washington (watercolor 11 x 15) $200

Last month, my husband and I were out and about in downtown Portland, after having spent the early afternoon at Powell’s Bookstore. Stephen patiently followed me around the hot pavement as I photographed street after street. The sun was brilliant after a cloudy spring, and the light on the streets and buildings almost blinding.

Here’s my first attempt at the heat and glow of that afternoon. I began by giving the paper of light wash of quinacridone gold. After the wash dried I very carefully sketched out the scene. Then I washed the sky with cobalt blue and the pavement with a mixture of quinacridone deep red rose and gold. Next, I masked a very few small light details.

With the paper ready to begin painting in earnest I began with the shadows and the lamp. The shadows are phthalo blue and deep red rose. The lamp is the same plus some burnt sienna. I painted the man in the window next and then glazed over him and the window multiple times. Then I loosely dropped in the tree and the background foliage at the end of the street. After that I worked up and down the buildings washing in the light and building up the darks.

In the end I think the shaded part of the building on the right takes up too much attention, but I’m not sure. I’ll try something similar again soon.


Or purchase a print here.

SociBook del.icio.us Digg Facebook Google Yahoo Buzz StumbleUpon