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Through the Bamboo Grove

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Through the Bamboo Grove (watercolor 17 x 23) $300

As promised, here is a larger more finished version of the Bamboo Grove.  I left the composition pretty much as it was in my little postcard painting, but I greatly increased the contrast by darkening the shadows and underbrush.

This time I poured the painting.  Pouring watercolor is a process much like batik.

I began by making a value sketch of the painting in graphite.  I transferred my sketch to the watercolor paper with graphite paper.  Then I used liquid mask to save all of the white highlights.  In this case highlights were thin strips of light on the edge of the bamboo, and the ridges where the sections of bamboo meet.

Once the painting was masked, I mixed three colors of paint very thinly in cups: cadmium yellow, new gamgee, and phthalo blue.  I wet the painting and then poured the paint out of the cups across the paper working from left to right and sloping downward.  I poured the yellows first then the blue.

After the painting was dry I masked all of the pastel values, mostly sky and unshadowed path and poured again.  This time I used hansa light and new gamgee for the yellows and both phthalo and cobalt  for the blues.  I added quinacridone deep red rose too.  I mixed all of the colors more thickly than on the previous pour.  I used very little red and tried to isolate it on the bottom on the picture.

I repeated the mask and pouring process two more times masking two sets of medium values.  The last time I poured only shadows and underbrush.

After the painting had dried completely, I removed the mask and assessed the results.  I had beautiful varied greens in the bamboo and nice dark shadows, but bamboos were mostly one value and looked flat.  I darkened the rear bamboo, and shadowed the sides of the bamboo to round it.  I dropped some color into the highlights on the path and added some blue to the sky. I soften the skyline foliage and varied the greens a little there.  I had left a roadway from my reference photo running across  the painting  just below the skyline foliage.  I decided that that was a distraction and painted it out.



 

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The Bamboo Grove

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The Bamboo Grove (watercolor 5 x 7) SOLD

This was an exercise in mixing greens.  The more I looked at this little clump of bamboo, the more I realized just how many greens were there.  To get some of this variety  on paper I used two blues, cobalt and phthalo and three yellows, hansa, new gamgee, and cadmium.   As most of the greens I mixed were blue-greens I used a little bit of  blue green’s compliment, red orange to set them off.  Burnt sienna was perfect for the purpose without any mixing.   I carried the blue-green red-orange motif into the path, painting the red Georgia soil it’s natural red and overlaying it with blue-green shadows.

Funny thing about red soil.  My husband talks about red Georgia clay and how hard it is to dig in or clean out of clothes the way mid-westerners talk of mosquitoes  and three feet of snow.  But here in Oregon we have more than plenty of red clay.  From the mid Willamette Valley south the ground is red as red can be.   And yes it’s hard to wash out of pants.

 

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