Archive for

June, 2011

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Three Horns For Art Squared

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"Three Horns" (watercolor on canvas 16 x 16 inches) $400

"Three Horns" (watercolor on canvas 16 x 16 inches) $400

I painted  this one specially for Salem Art Association’s Salon: Art2 exhibit. All of the artwork in the exhibit must be 16 x 16 inches inclusive of frame.  I had to think carefully how to meet the size requirement.  I didn’t want to fit a watercolor on paper into a 16 x 16 inch frame since the artwork would end up being 12 x 12 at most. I didn’t have any 16 x 16 inch aquabord either.  So I stretched watercolor canvas over a 16 x 16 inch frame and gallery wrapped the edges.

It has been quite some time since I tried painting on watercolor canvas.  Paint lifts from watercolor canvas even more easily than it does from clayboard.  The surface feels like a cross between clayboard an yupo (a plastic paper) to work on except that the unlike board or paper the canvas gives a little to the brush.  I like the canvas’ linen texture, but I’m not sure I like the painting experience as much as the board, though that may be just a matter of getting use to the new surface.


Prints are available through my gallery at Fine Art America.

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Big Boy

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Big Boy, Painting of a Tuba by Jenny Armitage

Big Boy (watercolor on cradled clayboard 11 x 14) $300

Tubas are big.  Yes I know you think you  knew that already, but I don’t think you’ve really grasped my point.  Tubas are big, really big.  Tubas are person sized instruments. They revile the musician in bulk. But saying it just doesn’t do the tuba justice.  So I painted this tuba big.

I don’t know how I would have gone about painting the tuba from this angle working from life.  Taking the reference photo was easy.  I propped the tuba up against two chairs so it wouldn’t fall and lay down on the ground to photograph it looking up.  It’s the classic big general shot.  And unlike many generals, the tuba really is big. Did I mention it’s big?

Painted on cradled aquabord and finished with clear acrylic finish and black sides, this painting is ready to hang.

Available through my Etsy Shop.  Prints available through Fine Art America.com.

{This artwork has been damaged.  Fortunately Ampersand makes a Aquaboard repair kit.  I’ll post the repair results after the kit arrives. 7-26-11}

{Here is the result of the repair.  It was an easy fix using the same clay coating Ampersand uses to make the Aquabord.  After repairing the surface I repainted. 8-14-11)

Repaired Corner

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A Magic Afternoon At Weathers Music

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"Quilted Brass" Painting of Brass Instruments by Jenny Armitage

Quilted Brass (watercolor on clayboard 11 x 14) $350

If you have been watching this blog of late, you know I have become fascinated with painting bright shiny band instruments.  I had been renting loaner instruments one or two at a time from a shop in Corvallis.  But renting instruments, especially expensive instruments for just a month at a time, makes instruments shops who rent to sell nervous.  So I was afraid I had come to the end of my supply of instruments to paint. But a couple weeks ago I got a brainwave.  Weathers Music, here in Salem,  has a recital room that sits empty most days.  So I thought maybe I could talk them into letting me rent the instruments and the room at once.  That way the expensive instruments need never leave the shop.

I gathered up two of my recent instrument paintings and went to ask. I had dressed nicely and rehearsed a little speech about how I would use the instruments for art, and how careful I would be with them.  I never got more than three sentences into my little sales pitch.  Keith Weathers simply said, “yes.”  And the very next Friday I had the use of the Bach Room, from ten to five and an almost unlimited supply of instruments to photograph.

I brought quilts, fabric, crystal, flowers, and fruit.  I also brought my studio lights. By eleven o’clock I had everything I’d brought in and Keith had gathered me a whole little band to play with.  I had three saxophones, a clarinet, a piccolo, a brass trumpet, a silver trumpet, a violin, a french horn, a trombone, and a tuba.

I spent a magic afternoon setting up and photographing one still life after another.  I spread cloth, arranged flowers, climbed on chairs, moved lighting, and toted instruments back and forth.  At the end of the day I was exhausted but happy.  I also had over five hundred photos on my camera chip.

Since then I’ve been too busy painting to post blogs, a sorry state of affairs for which I apologize.  So here is the first of many more instrument paintings.

Mounted on a black wooden cradle.


Or purchase a print from Fine Art America.com.

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A Brief Intermission

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Dances With Pears, a Watercolor Painting by Jenny Armitage

Dances With Pears (11 x 14 watercolor on clayboard) $200

No, it isn’t more instruments, but I’ll get back to those shortly. I painted this one at the gallery just after finishing “Jazz Buddies.” I love painting all the keys fittings on the sax, but it tiring work and I was no fit state to start another complex instrument painting full of reflections and reflections of reflections. So I painted nice simple fruit instead.

I took the reference photo while I had the mirror out for instrument photos. The pears and daisies were intended to be co-stars (and they probably will be in later paintings) but the looked so nice and fresh that I took a few photos of them by themselves too. I’m glad I did.

Painted on claybord and mounted on a black wooden cradle.  Ready to hang.

Available through my Esty shop or purchase a print through Fine Art America.com.

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Saxes Day and Night

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Having traded my trombone, flute and trumpet for a saxaphone, I’m now painting all the lovely keys.  There’s something industrial looking about a sax.  It’s hardware in a way the brass are not.

I took the reference photo for this first painting in the sun.  It was so bright that day that the difficulty was not over exposing the pictures.  I took the photo for the second painting inside with studio lights.   The difference is day and night.

Jazz Buddies (watercolor on Aquabord) $300

 

Portrait of a Sax, Watercolor by Jenny Armitage

Portrait of a Sax (11 x 14 watercolor on aquabord) $250

Both paintings include a black cradle frame and my be hung as is or framed.  Originals available in November at Art in the Valley, Corvallis Oregon. or purchase a print through Fine Art America.

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A Bouquet of Reeds

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Bouquet of Reeds, Painting by Jenny Armitage

Bouquet of Reeds (11 x 14 watercolor on Aquabord) $300

This is my first painting of my brand new rental toy, the saxophone.   Actually, my sax is far from new, but for my purposes, it’s just fine. I’ve paired it with what is turning out to be most painted instrument, the clarinet.  The clarinet itself is hard to compose with because it’s so long and skinny.  It isn’t metal, it’s lacquered wood; so it does have the shine that drew me to painting instruments in the first place.  But it’s black body is the perfect foil for brass.   So here it is as co-star to the sax.

The painting’s name is thanks to my best friend and critique, who also lent me her daughter’s clarinet.  So I owe a double thanks to Terrie for this one.

Painted on cradled aquabord.  May be framed or hung as is.

Original available at Art in the Valley, Corvallis Oregon. Prints available though FineArtAmerica.com.

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