Archive for

May, 2010

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Assorted Gulls

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Original Watercolor of Seagulls at Sunset

Assorted Gulls (watercolor 14 x 19) $225.00

I began working out a drawing for a long horizontal painting of Agate beach at sunset.  The light was punctuated by silhouetted sea gulls.  While working with my reference photos, I became fascinated by the way the sunset colored the white birds.  So I gave up the sunset painting and sketched out larger, versions of the seagulls instead. I like them and I may do some more seagull groups later. I may get back to that sunset too.

I painted the birds in first. I blended the colors on the birds primarily rather than mixing them on my palette.  The colors are cobalt blue, phthalo blue, quinacridone deep red rose, hansa yellow, and new gamgee.


Or purchase a print at from my gallery at Fine Art America.com. See more beach paintings at Fine Art America: beach paintings.

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Two Paintings of Reedy River Falls, Greenville, South Carolina

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These are thee Upper Reedy River Falls, in Falls Park downtown, Greenville, South Carolina.  The falls are actually about two or three times wider than my paintings imply, but I wanted to capture the immediacy of the girls looking up at the falls.

My first attempt show the full height of the falls.  like the sense of scale and the horizontal lines of the upper rocks, but I thought it lacked visual punch.  After looking at it a while, I decided that part of the problem was that the amount of area covered by  medium value rock and the amount of high key fall are almost equal.  Also the falls are almost dead center in the painting.

For my second attempt I came in closer and worked darker for greater contrast with the white water.  I also reversed the image right to left, thereby clarifying the entrance to the painting.  Finally I moved the falls to one side of the painting.

Upper Reedy River Falls, Falls Park, Greenville, SC

Ring Side Seats II (watercolor 14 x 20) $400

To create the falls themselves I used a lot of liquid mask.  I began flipping tiny drops of mask onto the falls.  Then I washed the area with highly diluted phthalo blue.  When I removed the mask the area looked white, but the even whiter dots gave it some sparkle.  Then I masked the white areas of the upper falls and began painting in the water and the rock behind it.  I used burnt umber, burnt siena, raw sienna, cerulean blue, cobalt blue, and phthalo blue.  I let the blues predominate.  I worked much darker on Ring Side Seats II than I did on Ring Side Seats I.

After removing the mask, I continued working softening edges and adding paler washes.

I used the same palette for the rocks but emphasizing burnt sienna and raw sienna.

Reedy River Falls, Greenville, South Carolina

Ring Side Seats I (watercolor 16 x 21) $400

Ring Side Seats


 

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Breakers Below Yaquina Head

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Breakers Below Yaquina Head (watercolor 5 x 7) $25.00

I did this little painting at the gallery last Wednesday.  It is another view of rocks below Yaquina Head Lighthouse in Newport, Oregon.

I painted it  loosely without using mask reserving the white paper in the clouds, waves and foreground by painting around them.  I added the spray on the rocks with opaque chinese white.  I used phthalo blue, cobalt blue, raw sienna, burnt sienna, and a hint of quinacridone deep red rose.

This painting is currently on display at Art in the Valley, Corvallis, Oregon. You may still purchase it by mail on inquiry through the contact page of this blog.

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Through the Bamboo Grove

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Through the Bamboo Grove (watercolor 17 x 23) $300

As promised, here is a larger more finished version of the Bamboo Grove.  I left the composition pretty much as it was in my little postcard painting, but I greatly increased the contrast by darkening the shadows and underbrush.

This time I poured the painting.  Pouring watercolor is a process much like batik.

I began by making a value sketch of the painting in graphite.  I transferred my sketch to the watercolor paper with graphite paper.  Then I used liquid mask to save all of the white highlights.  In this case highlights were thin strips of light on the edge of the bamboo, and the ridges where the sections of bamboo meet.

Once the painting was masked, I mixed three colors of paint very thinly in cups: cadmium yellow, new gamgee, and phthalo blue.  I wet the painting and then poured the paint out of the cups across the paper working from left to right and sloping downward.  I poured the yellows first then the blue.

After the painting was dry I masked all of the pastel values, mostly sky and unshadowed path and poured again.  This time I used hansa light and new gamgee for the yellows and both phthalo and cobalt  for the blues.  I added quinacridone deep red rose too.  I mixed all of the colors more thickly than on the previous pour.  I used very little red and tried to isolate it on the bottom on the picture.

I repeated the mask and pouring process two more times masking two sets of medium values.  The last time I poured only shadows and underbrush.

After the painting had dried completely, I removed the mask and assessed the results.  I had beautiful varied greens in the bamboo and nice dark shadows, but bamboos were mostly one value and looked flat.  I darkened the rear bamboo, and shadowed the sides of the bamboo to round it.  I dropped some color into the highlights on the path and added some blue to the sky. I soften the skyline foliage and varied the greens a little there.  I had left a roadway from my reference photo running across  the painting  just below the skyline foliage.  I decided that that was a distraction and painted it out.



 

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The Bamboo Grove

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The Bamboo Grove (watercolor 5 x 7) SOLD

This was an exercise in mixing greens.  The more I looked at this little clump of bamboo, the more I realized just how many greens were there.  To get some of this variety  on paper I used two blues, cobalt and phthalo and three yellows, hansa, new gamgee, and cadmium.   As most of the greens I mixed were blue-greens I used a little bit of  blue green’s compliment, red orange to set them off.  Burnt sienna was perfect for the purpose without any mixing.   I carried the blue-green red-orange motif into the path, painting the red Georgia soil it’s natural red and overlaying it with blue-green shadows.

Funny thing about red soil.  My husband talks about red Georgia clay and how hard it is to dig in or clean out of clothes the way mid-westerners talk of mosquitoes  and three feet of snow.  But here in Oregon we have more than plenty of red clay.  From the mid Willamette Valley south the ground is red as red can be.   And yes it’s hard to wash out of pants.

 

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Agate Beach

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Headland at Sunset (watercolor 5 x 7) SOLD

 

Sunset at Agate Beach (watercolor 5 x 7) SOLD


 

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