Archive for

July, 2009

...

Visiting the Civilized Engineer

1 comment
The Civilized Engineer

The Civilized Engineer

My step-father jokes that civil engineers aren’t very civil.  But he is a civil engineer and he is both civil and civilized.  Here is a painting I did of him last year.  The poise is characteristic and setting his own home.  It isn’t a portrait, but everyone who sees it recognizes him immediately.

We will be visiting him and my mother for a few days.  I just finished showing the house sitter around.  She’s very helpful, about watering the garden and feeding the dog,  but she won’t ship paintings for me.  Any paintings purchased before I get back  will have to be shipped after I return.

SociBook del.icio.us Digg Facebook Google Yahoo Buzz StumbleUpon

In the Waves

no comments
In the Waves (5 x 7) $20.00

In the Waves (5 x 7) $20.00

Do you remember the two brothers who were trying to send a log back out to sea?  The tide was coming in and so the sea kept sending it back.  I used another one of the photos I took of them that day to make this little postcard sized painting of the older brother.

The palette is phthalo blue, yellow ocher, and burnt sienna.

This painting is currently for sale on-line through my Etsy shop.

SociBook del.icio.us Digg Facebook Google Yahoo Buzz StumbleUpon

The Annex Bar

no comments
The Annex Bar (11 x 14)  $125

The Annex Bar (11 x 14) $125

Between art fairs and getting prints ready for my first painting fair I haven’t had time to actually paint nearly as often as I’d like.  Today I decided to paint whether I had the time or not.

And I returned to a subject I had attempted to paint without success about six or seven months again, the Annex Building in  downtown Portland.  Like many downtown Portland buildings it’s wedge shaped to take advantage of the oddly shaped blocks created where diagonals run through the city grid.  I photographed the Annex in the late afternoon when sun lit up all of the brick-a-brack.

My first attempts at painting the building ended in frustration because I included much too much detail.  This time I simplified both the brick-a-brack and the colors.  I also eliminated an upper story with a flat wall used as a a bill board facing out over the bar.  This is one case where KISS (“keep it simple stupid”) worked.

Besides eliminating detail, I also simplified the colors and reduced my palette to phthalo blue, burnt sienna, and yellow ocher.  At the very end I dropped cobalt blue into the sky.

It sure felt good to paint again, and better yet to paint something I’d failed to paint before.


Or purchase a print from Fine Art America.

SociBook del.icio.us Digg Facebook Google Yahoo Buzz StumbleUpon

Decisions, Decisions

2 comments

I’m busy putting together materials for my first art fair painting booth.  (I’ll be in the Artisan Village at the Oregon State Fair in late August and early September).  I will have a ten by twenty foot space to fill with paintings and sculpture.

I spent yesterday afternoon going over my paintings with a girl friend and deciding which ones to make into prints to sell at the fair.   I also quizzed friends, followers on Twitter, Facebook fans, and an on-line pen pal.  The results were all over the map. After much thinking and listening, here is the tentative list:

The Pumice Seekers

The Pumice Seekers

Memorial Day Waterworks

Memorial Day Waterworks

Ladder to the Past

Ladder to the Past

Winter Morning Solitude

Winter Morning Solitude

Twixt Wind and Water

Twixt Wind and Water

Waterfall in Her Lap

Waterfall in Her Lap

Georgia in the Morning

Georgia in the Morning

Daddys Magnifying Glass

Daddys Magnifying Glass

Her Own Little Fountain

Her Own Little Fountain

The Pink Bucket

The Pink Bucket

Grandma Braids

Grandma Braids

Winter Morning Solitude II

Winter Morning Solitude II

Hat and Shoulders

Hat and Shoulders

Splash Dance

Splash Dance

Romantic Memories

Romantic Memories

Winter Sun

Winter Sun

The prints will be roughly 8 x 10 or 11 x 14 and in a few cases 12 x 16. I’m not having any painting printed larger than the original.

I have chosen a different but overlapping group to make into 5 x 7 greeting cards. I’ll post that list when the cards are printed.

SociBook del.icio.us Digg Facebook Google Yahoo Buzz StumbleUpon

Shows

no comments

August 28th through September 1st: The Oregon State Fair’s Artisan Village
State Fair Grounds,
2330 17th Street
Salem, Oregon, (503) 947-3206
Watercolors and Sculpture (demonstrations all day)

October 23rd – 25th: Art in the Burbs
Alberta Rider Elementary School,
14850 SW 132nd Terrace
Tigard, Oregon,
Watercolors, Sculpture, and Vases

December 4th & 5th: 29th Annual Holiday Marketplace
Memorial Union Craft Center
Oregon State University
Corvallis, Oregon
Paintings and Sculpture

SociBook del.icio.us Digg Facebook Google Yahoo Buzz StumbleUpon

Low Tide at Agate Beach

1 comment
Low Tide at Agate Beach (12 x 16) $200

Low Tide at Agate Beach (12 x 16) $200

I love the ghostly look of the beach at low tide on a foggy morning. The beach stretches out forever half hidden in haze and strangely reflective, making the beach and the sky much the same color. The ocean swallows up all sound. All is quiet mystery.

But I have a hard time painting it. It is essentially nothing with variations. Here, to emphases the space and provide life are my daughters striding companionably into to that great emptiness filling it with sound and movement.

To paint the picture I masked the white waves, the foam and girls, but not their reflections. I painting the sky with burnt sienna and cobalt blue in multiple wet into wet layers. I painted the beach first in yellow ocher and than followed that with burnt sienna. I painted various mixtures of burnt sienna and cobalt blue wet on wet over the sand. The waves are a darker mixture of burnt sienna and cobalt blue painted wet on dry.

After the wet paper dried, I lifted the mask and painted the girls. The were actually dressed in brightly colored coats, but I painted them in more burnt sienna and cobalt to keep the monotone foggy feel of the beach. Then I dampened the area under the girls and painted in their reflections wet on damp.

I placed my signature carefully since in all that emptiness I knew it would be a design element.

This painting is currently for sale on-line through my Etsy Shop.

SociBook del.icio.us Digg Facebook Google Yahoo Buzz StumbleUpon

Nose to Nose

2 comments
Nose to Nose (5 x 7) SOLD

Nose to Nose (5 x 7) SOLD

I think dogs are at their most happily doggie on the beach. Freedom to run, other dogs, disgusting smells, people to meet, and soft sand—what more could a dog want?

The palette was prussian blue, cobalt blue, burnt sienna, and yellow ocher. I used mask to preserve the whites.

SociBook del.icio.us Digg Facebook Google Yahoo Buzz StumbleUpon

Surf Dance

no comments
Surf Dance (5 x 7) $30.00

Surf Dance (5 x 7) $30.00

This is another little painting of the two brothers playing in the surf. They had found a log about half again as tall as either of them and were busy trying to return it to the sea. But as the tide was coming in, the sea kept giving it back. Here they have just finished taking it far so into the surf that they thought they had gotten rid of it. The victory dance was short lived. It came back. I don’t think they really minded though. They were having fun.

I used the same palette and method as the last little painting. First I masked the white foam and the boys. Then I painted the water and sand, beginning wet into wet and adding the details wet on dry. I painted the sand in with yellow ocher and burnt sienna right up to the first foam. I laid the thin layer of water reflecting the sky with blue cerulean right over the sand. I added the reflections last. When all was dry I removed the mask and painted in the boys and softened the foam.

Removable liquid masking is the easiest way to preserve small areas of white paper. I use Shiva Liquid Masque, but Winsor & Newton make a perfectly good mask too. The advantage to Shiva for me is that it’s slightly pink, making it easier for me to see where I’ve masked. Winsor & Newton is slightly yellow which I find harder to see against white paper.

Mask should be applied to bone dry paper. Use a synthetic brush well rubbed in hand soap to apply the mask. Resoap the brush regularly and wash it with soap afterwords. Don’t use water that has been used for masking when painting. Don’t remove the mask until the paint is bone dry. A rubber cement pick-up works best.

This painting is currently available on-line through my Etsy shop.

SociBook del.icio.us Digg Facebook Google Yahoo Buzz StumbleUpon

Afternoon Tide Tag

no comments
Afternoon Tide Tag

Afternoon Tide Tag (5 x 7) $30.00

This is another postcard sized painting. I find it therapeutic to do these little paintings while I’m in the throws of getting ready to stock another polymer clay sculpture booth. While they don’t take as long as my larger pieces, it is challenging to get enough detail into these tiny paintings without overwhelming them with fussy little brush strokes.

I took endless photos of this young man and his brother last summer. They were very active and having a grand time playing in the waves. The light was beautiful and so were the boys. I may paint one or both of them again tomorrow.

The palette is cerulean blue, burnt sienna, and raw sienna. Substituting cerulean for my usual cobalt blue resulted in a greener and less gray sea. I used raw sienna rather than yellow ocher because ocher is on the green side of yellow and would have resulted in a pea green sea. For the boy’s skin and hair I used all three colors. The more I work with watercolor the more I am drawn to the sedimentary and metallic pigments. I have trouble with the organics.

This painting is available on-line through my Etsy shop.

SociBook del.icio.us Digg Facebook Google Yahoo Buzz StumbleUpon

Dances With Fountains

1 comment
Dancies With Fountains (7 x 10) $75.00

I don’t think I’ve ever taken anywhere near as many photos I’d like to paint as I did the day of the Wilsonville Festival of the Arts. Hot sun on skin and lots of water is turning out to be one of my favorite combinations.

This one took a little more teasing out to make it a good image. The photo itself shows not only the boy but also his father and sister and sub machine gun style water pistol too, all cluttering up the background and obscuring the larger fountain. It was easy enough to remove the figures and the shadows they cast. To restore the fountain I need to use other reference material.

I have have been using much the same method for all of the paintings in my Splash series. First I mask the fountains, waterfalls, and water drops. Then I can paint the water without worrying about saving the whites as the masking protects them for me.

After the Mask Came Off

After the Mask Came Off

Dances with Fountains (in progress)

Dances with Fountains (in progress)

Once the paint is really dry I remove the mask from the water features and the figures but leave the water drops over water masked. Then I mask the highlights in the water-features and the splashes obscuring the figures. After I’ve painted the figures and roughed in the water I remove all the mask and add shadows to some of the water drops.

Should you like to try using removable liquid mask yourself, I have two tips. First, use cheap synthetic brushes to apply the mask and soap them before and during the process. Second, never use a hair dryer to speed the drying of a masked painting because sometimes it causes the mask to stick to firmly to the paper.

I painted the water in cobalt blue grayed with burnt sienna. The boy’s hair is yellow ocher, burnt sienna and cobalt blue as is his skin. I added some quinacridone deep red rose to key places in his skin such as his ears. His shirt is cobalt blue and burnt sienna again.

This painting has sold, but you may still purchase a print through Fine Art America.com.

SociBook del.icio.us Digg Facebook Google Yahoo Buzz StumbleUpon

A Little Version of a Bigger Painting

no comments
The Pumice Seekers (16 x 20)

The Pumice Seekers (16 x 20)

This painting is of my husband and our girls. He loves his little girls and he likes paintings of himself being a daddy. And truth to be told he likes an excuse to do little boy things. Here he is helping the girls find pumice, the magic rock that floats.

It was one of my first half dozen or so successful paintings. I used the mask and pour method and then spent several hours direct painting it as well.

Stephen likes it too much to let me sell it. But we we don’t have a place to hang it either. Every so often he fishes it out and looks at it.

So for his upcoming birthday I painted this little version of it. It doesn’t have all the nuance of the larger work, but it’s a good little painting and it will fit neatly in his office.

The Pumice Seekers II (9 x 12)

The Pumice Seekers II (9 x 12)

The palette for the first painting was phthalo blue, burnt sienna and hansa yellow for the pourings. I used some burnt umber, raw umber and cobalt blue in the direct painting palette.

For the smaller direct painted version I used colbalt blue, ceruleum blue, burnt sienna, yellow ocher and quinacridone deep red rose.

SociBook del.icio.us Digg Facebook Google Yahoo Buzz StumbleUpon